Ray's debut film and the first in the Apu Trilogy, "Pather Panchali" is a bold portrayal of rural Bengal, focusing on the struggles of a poor family. Its simplicity and emotional depth have made it a classic in world cinema.
The second installment of the Apu Trilogy, "Aparajito" continues Apu's journey, depicting his youth and education. The film explores the tension between tradition and modernity, as well as the universal theme of growing up.
Concluding the Apu Trilogy, "Apur Sansar" follows Apu into adulthood, focusing on his experiences with love, loss, and fatherhood. This film is celebrated for its emotional resonance and the depth of its characters.
Set in 19th-century Bengal, "Charulata" is a beautifully crafted film about a lonely housewife’s intellectual awakening and emotional turmoil. Based on a novella by Rabindranath Tagore, it’s considered one of Ray's finest works.
This film tells the story of a wealthy landlord who clings to his aristocratic past while facing the decline of his fortune. "Jalsaghar" is a haunting meditation on the inevitable passage of time and the loss of tradition.
A historical drama set during the British annexation of Oudh, this film explores the leisurely lives of two noblemen obsessed with chess, oblivious to the political turmoil around them. It's a subtle commentary on colonialism and the decay of the aristocracy.
This film explores the themes of superstition and religious fanaticism. It depicts the story of a young woman who is believed to be an incarnation of the goddess Kali, leading to tragic consequences.
A psychological drama about a matinee idol who reflects on his life and career during a train journey. The film delves into the nature of fame, identity, and the pressures of stardom, showcasing Ray’s skill in character study.